"I got wild mushrooms growin' in my yard"
Lloyd Cole & the Commotions, Mainstream
The Blue Nile, A Walk Across the Rooftops
Papa M: November 18, 2009 Knitting Factory (via NYCTaper)
Morton Subotnick, Volume 2: Electronic Works
Roedelius, Geschenk des Augenblicks (ht Pretty Goes With Pretty)
- I actually don't - those are from a neighbor's yard this morning - but it reminded me of the best line (caption above) from the greatest cocaine song of all time.
Lloyd Cole & the Commotions, "My Bag"
- The fire escape open window led me here. One of the first album reviews I ever wrote for outsideleft was for a Blue Nile record, to which I would link but it appears we've run behind on our hosting bill. Here it is at the Wayback Machine.
Best line: See, we in that pre-alternative era had to get excited about something, otherwise Mario Van Peebles would've lobbied congress to have the entire nation soundtracked with fat drum machines and sub-Cameo synth washes.
The Blue Nile, "From Rags to Riches"
Best line: "I write a new book everyday, the love theme for the wilderness."
Note to self: write a book called "The Love Theme for the Wilderness"
- But speaking of hosting and vanished and "the first" and notes to self, I found my first website on the Wayback Machine. Dig this great animations I made for the "life" section.
There are no best lines here. This general statement is pretty precious. This 1996 artist statement is better than I remember it being, but like most artist statements, doesn't say much. My mid-1990's was all about making statements. Evidently I was into Ed Paschke back then, but I couldn't remember who that is until I looked him up. I like how I left convenient blank spots for future interests.
- I got pulled into a friend's class to talk about writing artist statements, which turned into my general lecture about writing about art, which involves an onion/layers-of-the-earth diagram and some dramatic scribbling, but here is the general advice on artist statements:
Say what your art is about. You want your art to do all the talking, and unfortunately, it doesn't. Either your art isn't good enough, or the viewers aren't good enough, or the setting isn't good enough, or some combination of factors keeps your art from generating a pearl of understanding in the viewer's mind, so you provide an artist statement. You want that statement to cleanly and most expediently bridge that gap that exists between your art and the viewing of that art. If you say you don't know what your art is about, you are full of shit; you just don't want to say what your art is about, or conversely, your art might not be about much, which puts you in a tough position. But, if your art is about something, if there is a reason you made it, say that.
If your art is really all about -isms and theory, say that, but honestly, I doubt that it is. So, then, what is it really about? Say that. And if possible, make it funny. People like things that are funny.
Post a Comment