Saturday, April 26, 2008

Succumbing to Evil Urges

My thoughts during the first listen to the new My Morning Jacket record, Evil Urges:
  1. They kinda lost me with Z, because I felt like they saw themselves reflected in Almost Famous, not as a great classic rock band owning an arena or golden gods, but as a classic rock band singing Elton John songs on the bus and having moments. I love that scene in Almost Famous too, but the ultimate danger of falling in love with one's reflection is not only the definition but the etymology of narcissism.
  2. Jim James is a really good singer, and he has solved his Kermit the Frog problem, but people should maybe hold off on telling him what a good singer he is.
  3. One song on here is really, really terrible. I'm not going to tell you which one, but you will recognize it as terrible when you hear it. Like it's not just regular terrible, but an innovative new breed of terrible. Like Komar and Melamid did some serious data-mining on their world's worst song project, and discovered uncharted territory.
  4. It is so terrible that you will be grateful for the REO Speedwagon-soundalike that follows it.
  5. Soft rock sounds great when you hear one song of it, its smoothness offering contrast to the bumpy road preceding and following it, like the shocking calm of passing under an overpass during a rainstorm, but prolonged exposure to such conditions hardly registers, like you don't really remark that it is not raining on on a clear day.
  6. Once they get their fuzz and drang on, it really starts to cook. It's like if Lenny Kravitz wasn't laughable and actually rocked. Why we had to scan the AM gold dial through T.G. Shepperd and the Pointer Sisters to finally find "Barracuda" is anyone's guess.
  7. I think My Morning Jacket and Radiohead are going to continue to rise until they converge in a muted rainbow explosion in the sky, killing all the dinosaurs again, and civilization will be left to reinvent itself in the wake.
  8. I'm questioning how much I ever liked MMJ in the first place. My first exposure to them was an essay on them in the sixth Oxford American Southern Music Issue (2003, though I can't find the author's name for some reason) so compellingly written that not only made made a band I'd never heard a note of become my favorite band at that moment, but created a standard that I have been trying to meet with my own writing ever since.
  9. This record would be a perfect soundtrack for an over-wrought movie about a trailer park kid abducted by aliens and then rudely deposited back in the park. Including the terrible closing credits number.
  10. At least you can no longer say Band of Horses sounds like a second rate My MorningJacket. You will have to find a completely different band of which Band of Horses can be a second-rate version.
  11. "Happier Than The Morning Sun" from Stevie Wonder's Music of My Mind came up after it, having typed "my morning" in the iTunes search box, and for a second there, I thought now wait, these boys have really landed on something...
  12. I'm thinking that it will grow on me, and somewhere in the ensuing weeks until its proper release I will have an epiphany about it and all joyous will be revealed, and I will give it a glowing proper review fraught with personal transformation analogies, and then like Z, I won't listen to it again unless it comes up on shuffle.

Evil Urges will tempt you wherever records are sold 6/10/2008


  1. Oh yeah! I discovered them through that same Oxford American article -- that's a great piece. I'm trying to figure out if the OA music issues have become less interesting, or if music doesn't mean things to me in the same way it used to (not mean more or less, just mean different things, or mean the same things differently). I find that I still think Tennessee Fire is my favorite MMJ album, but I hate to say that because I don't want to be that indie rock guy who only likes the first album by any given band.

  2. I liked the last OA music issue and not only because I was in it - the pieces on Fred Neil and the guy from the Weavers were great IMO, but there have been a couple misses in the ensuing years. The one with southern comedy records for example - they should have just done a serious analysis on Jerry Clower instead.

    At Dawn is probably my preferred album of theirs, and "Run Thru" and "One Big Holiday" off It Moves are their finest hours

    And I think that the album that gets me into a band is my favorite. Like XTC could cure cancer with a record and I'd still shrug, yeah, but its no Skylarking